Oh. Duh. Yes, of course - it just didn't register. A bit of trivia: in his book Danse Macabre, Stephen King reported that Jack Finney (who wrote the original novel) stated that he had no particular political slant in mind when he wrote it - it was just intended as a scary yarn.
Yes, and the film teacher in my class (it was the history of the twentieth century through film, and we had one film teacher and one history teacher) wrote to Don Siegel, the director, and got much the same result. I believe the history teacher's point in making us come up with other things it could be an allegory for was to point out that you can claim art supports pretty much any perspective, if you work at it. My class was inclined to work at it if it amused us.
Hoax: that's what I've noticed as missing from, I think, every HB's claims. They pick away at what they see as anomalies or contradictions, but not one (that I've seen) has actually put together a comprehensive hypothesis (I'll not dignify it as "theory") as to just how such a hoax would be pulled off.
They don't have a narrative. They don't have a story to replace the extant one. All they have is a claim that the narrative as we know it is flawed.
This is probably no surprise to anyone here, but even with no engineering or related subject in my background, when I started following the HB's a while back even their "strongest" arguments seemed childishly stupid if you have even a little knowledge of the subject matter.
Oh, likewise. I've always been terribly open about my failure to really
get a lot of the more technical arguments. I see long strings of numbers, and my eyes just start to glaze over. I'm grateful that there are people for whom that is not the case, but I am assuredly not one of them. However, I have never once found a hoax argument even a little convincing, even when I don't really understand the real-world issues which make it obviously wrong, simply because the landings' being real makes more sense than faking whatever needs to be faked.