Hi Everyone,
Gillianren, Yes there was a Bill Gibson in the military that has loosely been credited with being involved. But there is little documentation or rational why he had any involvement at the time with NASA. And with regards to Barry Coe, you stated that NASA would never go to Hollywood for one of the "documentarians". Well the son (at least he says he is) of "Hollywood's" Barry Coe says his father told him he was the producer of the Apollo 11 Documentary. Yes, apparently a 33 year old B actor from Hollywood was NASA's choice to bankroll, hire military and CIA guys, and be the one to document man's greatest achievement. Doesn't sound very logical. Does it? But what is known, and makes a lot more sense then these two guys being the chief principals, the U.S. has a history of assigning fake names to (propaganda) films. It just happened a year or so back with the film created for Trump to show the North Koreans. At first, it was credited to a LA production company called Destiny Pictures. Of course, Destiny Pictures said wtf? Then the government had to admit it was produced by the National Security Council (aka CIA).
Its funny you bring up Bob Cuff, and what he does, and who he has worked with. It is almost if you are reading my mind. Not that I think Cuff has anything to do with faking the footage but he has been around and involved with certain individuals who I believe might have been involved. You mentioned Kubrick. Of course, some have pointed to Kubrick as being the one behind the fake footage. And that he used The Shining as his confessional. I think they are on the right path but ultimately I think they are incorrect Kubrick was directly behind the Apollo fake visuals. Yes, I believe The Shining was used to tell the 'Apollo story'. But here is where I differ with everyone. They believe he remolded the King's story to his own story of being caught up in the Apollo deception. I, on the other hand, believe he is aware of the 'Apollo deception' and he is telling the story of those directly caught up in it.
So why do I believe this? It goes back to the simple reason he picked King's The Shining in the first place. As many have commented, they can find no reason why Kubrick would go 'slumming' in the pulp horror genre. And it wasn't the story. As most know, he changed virtually everything in the book. However, what he didn't change was the name of the movie. Nor did he change the name of the central "character" the mountain hotel Overlook. So did he pick this book for these names. And if so, why? He did it because these names point directly to (at least some) of the people involved. The Shining. Another word for shining?
First entry on Google
Lucas: from the Latin personal name Lucas (Greek Loukas) 'man from Lucania'. Lucania is a region of southern Italy thought to have been named in ancient times with a word meaning 'bright' or 'shining'.
Overlook. Another name for Overlook?
First entry on Google
Speilberg: habitational name from any of the various places so called, from a contracted form of Middle High German spiegel 'lookout point' + berg 'mountain', 'hill'.
(added Bonus, Kubrick's next movie Full Metal Jacket. A term he personally picked for the movie. It means the casing of a rifle bullet. Visually, does it look familiar? Saturn rocket maybe?)
Preposterous? Lets circle back to Apollo 11 Footprints on the Moon Documentary. Robert S. Scott, CIA man, second in command at the US Information Agency. Any guesses who worked under him? George Lucas. Not only was he creating Vietnam war propaganda films, he was teaching film to military personnel. This was happening from 1967 on. His wife was also CIA doing film projects. Lucas and Spielberg first met in 1968. At about the same Douglas Trumbull Kubrick's effects guy on 2001 A Space Odyssey comes back to America from England. Then there seems to be a gap until 71 or so when both put out movies. And it is just a little after this, Spielberg and Lucas, two young and unproven directors hook up with Trumbull and his assistant John Dystra. At least that is how the story goes (Trumbull with Spielberg and Dystra with Lucas. ) Finally about 3-4 years after the missions, Kubrick was in a third rate, run down movie studio (Elstree) on the verge of bankruptcy outside of London. He was filming the Shining. Who were the only ones to be working at this studio during this time period? You guessed it. Lucas filming Star Wars. And then Spielberg with Raiders. What are the odds? Countless studios world wide and they find themselves with Kubrick. Heck, all Lucas had done was American Graffiti up to this point, yet he set up the now famous special effects shop Industrial Lights and Magic a few years prior with Dystra and others and now he is hanging with Kubrick. I would say what a small world. Wouldn't you?
In any event, there are many things in the Shining (and elsewhere) that support my theory. I won't 'bore' you with the details. God knows I am about to be hammered into submission anyways
. But a couple of tidbits if you are interested. Check out Lucas's first feature THX 1138. It came out in '71 or '72? It starts with a real Buck Rogers Trailer. Except Lucas overdubs the entire thing. Instead of him being in the 25th Century, he is in the 20th Century. Listen and watch carefully. Secondly, the pivotal scene in the Shining is when Jack is kissing the pretty woman in the bathroom and she turns into an old witch. The old witch is played by someone, according to the credits, named Billie Gibson. And like the Bill Gibson of the Apollo 11 Documentary, this is her only credit and she does not seem to exist.
I will gladly expand on any of this, otherwise my next posts will be examples of what I believe to be fake visuals (I am also trying to build an imgur library to more easily demonstrate my suppositions, please bear with me if it takes a bit of time)