I suppose I'm naive to think that politicians won't act like politicians. And I may have a biased view of the politicians I've known personally and worked with. I know them and work with them because I agree with their politics. And in some cases they're close friends, so I would be naturally inclined to overlook their excesses and elaborations. One of them was even one of the former child actors I mentioned yesterday. He grew up, got a degree in political science, and worked for the Obama administration.
We live in an era that's approaching real-time fact-checking on public claims. I guess if many, but not all, politicians are doing this, we might expect the old guard to be the worst at it. Maybe the younger generation realizes they can't really get away with lying about situations where there were many people present. The protests I'm observing are being recorded not just by professional journalists, but by legions of people wielding their camera phones. It's really becoming impossible for any faction to lie about the events and there not being some objective set of facts available to test the claim. I suppose that's countered by people having become more polarized in their consumption of media. More facts are available, I feel, but we are paying more selective attention to them.
I do have to tell one more entertainment related story, since so many aspects of it just lined up. I was at Warner Brothers working on a small project, and it was over the U.S. Labor Day weekend -- just like today. Since all the productions were shut down for the holiday, our studio liaison graciously gave up half his day off to give us a personal tour of the entire studio lot. Lots to tell, of course, but one of the sets we visited was The West Wing.
I confirmed they used a particular lighting technique that I suspected from watching the show: the ceilings are stretched muslin and not solid panels. You put the lights above it and they shine through it to diffuse the light. The practical light fixtures are actually hung from chains attached to the grid high overhead. Then for shots that show the ceiling, you light from underneath and the muslin turns opaque.
The carpets are filthy. Lots of equipment rolls around in there, so it's not surprising. And few shots look down at the floor such that you could see it. And as was the case before widespread high-definition television, the construction is actually a lot more crude than you'd expect for the "White House."
The best part was the iconic entryway into the West Wing. They literally cut out part of the wall of the soundstage and built the replica of the entry outside it, so that you can go from outside to the interior sets in one long tracking shot -- their trademark.