Back in the 1980s I easily and cheaply made an excellent solar filter that was much thicker and more rigid than mylar. A square of it could just be taped over the front end of binoculars without needing a filter ring.
All I did was, under ordinary room light, crack open a roll of 120 (6 x 6 cm frame, same as used on the moon) black-and-white SILVER-based medium-speed film (Ilford FP4) and wave the blank film around so it was evenly and fully exposed to the light, then develop, fix and wash it in the usual manner, without needing to be in a dark room.
Being silver-based film, the fully-exposed and developed silver grains are dense enough to provide safe viewing of the sun through binoculars or a telephoto lens. So dense and dark that it was quite hard to get the sun in view. It gave me my first ever live 3D view of the sun, complete with sun spots. I still have most of that same film just in case a need for it arises again.
In posts above are mentioned the two things that bug me most about modern auto-everything cameras. It can be difficult or impossible to focus them on infinity and get a suitably long exposure for astronomical photos. Give me full manual control for most photos except those where there is little or no time to make manual adjustments.
I'm sure that auto-focusing is responsible for many "UFO" photos that are of fuzzy lights that change colour and shape. It's a result of the lens struggling to focus and make sense of a small, bright light in dark sky. There was a case in the 1980s where a "UFO sighting" was actually the result of a movie camera focusing on its own parts inside the lens, and the light was a street light on top of a hill.