HI JFB and Jason Thompson, Bknight, Molesworth, OBM et al
I appreciate your responses to my claims (and Jay, I do believe I am attempting to reciprocate, albeit I don't have enough time in the day to respond to everyone.
First, BKnight, the distance is more than 3600 feet between the LM and CSM. The communication you quote is the first dialogue when they come around from the far side of the moon. The A11 clip is 20 minutes in real time. It took 55 minutes for the LM to transition from its lunar orbit to the CSM's lunar orbit approximately 12-14 miles higher. Clearly that points to a greater separation between the LM and CSM at the start of the clip than you are suggesting.
JFB and Jason Thompson, your suppositions actually help my case. Jason, even if one agrees to your plotting of the LM relative to the CSM and the range of view from the CM window (both which I take exception to), you (and JFB) seem to ignore the fact of how this was filmed. It was was filmed into a mirror. More specifically a right angle mirror. First off the use of a 1.5 inch mirror will greatly curtail the scope of view. Even if you can overcome this, if the CSM is pointed nose down as you suggest how is it possible to film the entire sequence using a right angle mirror. I have attached an Apollo photo of the Command Module and how the DAC camera was deployed with a right angle mirror. As you can see (when you re-orient the photo so the Astronaut's head is at the top of photo) if the CSM is nose down (astronauts head is at the top of the CM cone) the right angle mirror would be shooting off into space away from the moon's surface. Futhermore, if you look at the photo, the question arises why would you want to use a mirror anyways? If you just remove the right angle mirror from the DAC, the camera is pointed in the direction you suggest in your hypothesis . Of course, as you can see the window is too small and on angle to get a clear view in that direction. So any shot of LM in a CM nose down position will undoubtedly have part of its view obscured by the window frame. The question then is if your supposition is correct why is A12 rendezvous clip not obscured by the window frame at all. Again, as you can see by the DAC setup in the CSM, given these clips were shot into a mirror, demonstrate they were not likely shot the way you are suggesting. In fact, if the rendezvous took place the way you are suggesting there is no reason a mirror should have been used at all. Let me know if there is way this could done.
Also no one has taken a shot on why the A11 footage of the LM's movements and rotations appear to be mechanical in nature and not natural. To the point, some of the rotations appear to show the LM 'bouncing back' in the opposite direction after a rotation ends. Does anyone have any ideas?
I would also like to further add, not only were these films shot using a mirror, the DAC, unless I am mistaken (let me know), did NOT have a viewfinder (apparently it had a attachable ring sight that could be used when hand held). Lets think about that. We have these perfectly framed rendezvous clips. Never out of focus nor out of frame with the LM moving on the same Y axis the entire time. All shot in a 1.5 inch right angle mirror from a camera is which you can't even view what you are filming. This would be hard enough to remain focus in on an object miles out with a view finder. (Try it with your own camera, not easy) Now add a small mirror angled in a different direction, on top of no view finder and remember keep the camera stationary the entire time. These are truly amazing films.