I know I've seen this one before, and it's possible it's been discussed here before:
http://www.aulis.com/apollo11saturn_v.htmThe basic claim is that an analysis of a shadow cast by the Apollo 11 stack as it punched through a deck of clouds "proves" the vehicle was going much slower than it should have been (by a factor of 9!) at that point in the launch.
It took me a few minutes, but I soon identified the quicksand on which they'd built their entire case: a private 8mm movie of the launch posted here on Youtube:
The authors go to great lengths to claim that the timestamps on the video transfer of the film are accurate, but just a casual viewing of the film immediately reveals a serious problem: everything happens far more slowly than in every other movie and videotape of the event. Apparently Popov and Bulatov don't know that 8mm cameras (like most motion picture cameras) have selectable frame rates. The higher the frame rate, the better the time resolution, the greater the film consumption rate, and the slower the action will appear when the film is shown at the standard frame rate. The camera owner probably considered the Apollo 11 launch important enough to burn a lot of film on it at a high frame rate.
But that was only their first bone-headed mistake. They claim that staging occurs at 162s in the film, on time according to NASA, when the launcher is surrounded by a big cloud of "hot gas". For a moment I rashly assumed they were talking about the plumes of the retro and ullage rockets. But I've learned through considerable experience to never, but
never accept even the simplest factual claims from a hoaxer. Even if you think an idiot couldn't screw it up,
check it anyway!
Sure enough, when I looked at that part of the film it was immediately obvious that what they took for staging was in fact the sudden formation of a vapor trail as the launcher rose into the cold stratosphere. The film ends
long before staging actually occurs. Those familiar staging sequences were made with a large and expensive tracking camera platform with long lenses specifically designed for this sort of thing. There was no way that some guy with an 8mm handheld camera was going to see it so he either stopped filming or it ran out..
I do love tearing these things apart.
Edited to add: If I wrote up a critique of this paper, what are the chances that Aulis would publish it in the interests of the search for truth?