If you want to see somebody on a wire, here's a peter pan movie from 1960. She runs around and flies all over the place without being pulled back. (It's cued up.)
And now you are straying into MY field, Doc.
Nonsense. Idiotic. No theatrical "wire" system does dang-all UNTIL the slack is pulled in. Then the actor's movements become almost entirely controlled by the fly crew, and by inertia.
I've done Peter Pan twice at major regional theaters. Once with Flying by Foy, once with ZFX. I had the opportunity to chat at some length with the chief rigger during the installation of the latter, and he described the tools available at that time (which was decades after the Apollo missions).
With the most elaborate system they had then, you almost had three axes of motion of the pick point, and the actor had two axes of motion in relation to the pick point. Not usually done this way on Broadway except for the "flying over the audience" gag; because an upstage-downstage travel gets in the way of pretty much every drop and electric you have over the stage.
The normal rig is a traveling head and a single pick point. Used cleverly, this can give the illusion of a flight from any point to any point...but it is achieved through carefully choreographed motions of the head and full use of inertia and geometry to create the various flights. (As in; a typical gag is to have the actor walk to a point upstage of the track, then fly them; as soon as they are in the air they will swing downstage, and by timing it carefully you drop them back down to the stage at the furthest point of their swing.)
The only way a theatrical system could give an illusion of constant lower weight is if it was carefully choreographed to every single moment of the actor's travel, the actor was further restricted in the paths they could take...and trying to take the inertia out of the swings would be an absolute nightmare. No such system would ever have evolved the lunar bunny hop we see in the Apollo footage.
Put it this way -- no feature film has EVER tried (with the possible exception of those films specifically made to celebrate the Apollo program).
Do you really think a guy was sitting in mission control with a joystick just to work the camera for 2 seconds?
Do some research some time.
He didn't sit down for that moment, at that moment. Stupid, stupid, stupid. The camera was remote-controlled for the duration of the EVA full stop.
So, please send me the apollo LEM telemetry along with a machine to read it and I'll take a look at it.
Aye, there's the rub. Hoaxies love coming up with what they fondly hope are impossible goal posts, don't they?
In your world, of course, only the original 2" tape could POSSIBLY do. Apparently we haven't the faintest idea what Ptolemy ever wrote, because no-one has the original copy of the Almagest.